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I've been staining and tinting and waxing and oiling various all-but-finished sticks. The house sometimes reeks of drying tung oil.
The art museum I worked at had a program for young children aimed at blending art with art history. The museum has a spectacular collection of Meso-American ceramics, with a very large number of figurines. I found that the kids were using something called "Paperclay." Non-toxic, easily formed, and air dries to moderately hard. Easy to make inscribe fine detail. Takes paint. I've read that once set it can be cut w. craft knives (which the kids were not allowed to use.)The woman in charge of the class made a very good approximation of one of the more complex terra cotta figures. It was good enough that when I saw it sitting in the middle of a table, for a moment I wondered who had removed it from its display case.
I haven't tried using any myself, but seems like a good material for fast proto-typing.
The art museum I worked at had a program for young children aimed at blending art with art history. The museum has a spectacular collection of Meso-American ceramics, with a very large number of figurines. I found that the kids were using something called "Paperclay." Non-toxic, easily formed, and air dries to moderately hard. Easy to make inscribe fine detail. Takes paint. I've read that once set it can be cut w. craft knives (which the kids were not allowed to use.)The woman in charge of the class made a very good approximation of one of the more complex terra cotta figures. It was good enough that when I saw it sitting in the middle of a table, for a moment I wondered who had removed it from its display case.
I haven't tried using any myself, but seems like a good material for fast proto-typing.